Last edited by Julkree
Wednesday, May 13, 2020 | History

2 edition of Direct approach to counterpoint in 16th century style. found in the catalog.

Direct approach to counterpoint in 16th century style.

Soderlund, Gustave Fredric

Direct approach to counterpoint in 16th century style.

by Soderlund, Gustave Fredric

  • 152 Want to read
  • 4 Currently reading

Published by F.S. Crofts in New York .
Written in English

    Subjects:
  • Counterpoint.

  • Edition Notes

    SeriesEastman School of Music series
    Classifications
    LC ClassificationsMT55 .S68
    The Physical Object
    Paginationx, 133 p.
    Number of Pages133
    ID Numbers
    Open LibraryOL17765439M

    Preliminary Exercises in Counterpoint. New York: St Martin’s Press, Soderlund, Gustave. Direct Approach to Counterpoint in the 16th Century Style. New York: Appleton-Century-Crofts, Tovey, Donald Francis. A Companion to “The Art of Fugue”. Londres: Oxford University Press, Tovey, Donald Francis. The Forms of Music. New. This volume explores the expressive power of sixteenth-century vocal polyphony, giving special emphasis to the development of aural familiarity with the style. Every element of sixteenth-century counterpoint is defined, described, and liberally illustrated, included for analysis and singing are complete compositions and movements by Palestrina.

    The method has little to do with 16th century style - that this is 16th century polyphony is a diversionary story for undergrads in a class with that of George Washington and the Cherry Tree. There are two main points against it: (1) Species Counterpoint as a method is not a 16th century technique, but a 17th century technique/5(33). The 16th-century Venetian theorist Zarlino elaborated on the idea in his influential Le institutioni harmoniche, and it was first presented in a codified form in by Lodovico Zacconi in his Prattica di musica. Zacconi, unlike later theorists, included a few extra contrapuntal techniques, such as invertible counterpoint.

    Consider these titles of related interest also available from Waveland Press: Robert Gauldin, A Practical Approach to 18th-Century Counterpoint (ISBN ); and Gustave Fredric Soderlund and Samuel H. Scott, Examples of Gregorian Chant and Sacred Music of the 16th Century Reviews: 7. of Gregorian Chant & Sacred Music of the 16th Century. Long Grove, IL: Waveland Press, Soderlund, Gustave Fredric. Direct Approach to Counterpoint in 16th Century Style. New York: F.S. Crofts, Analysis Beach, David and Ryan McClelland. Analysis of 18th- and 19th-Century Musical Works in the Classical Tradition. New York: Routledge File Size: KB.


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Direct approach to counterpoint in 16th century style by Soderlund, Gustave Fredric Download PDF EPUB FB2

Direct Approach to Counterpoint in 16th Century Style [Soderlund, Gustave Frederic] on *FREE* shipping on qualifying offers. Direct Approach to Counterpoint in 16th Century StyleAuthor: Gustave Frederic Soderlund.

Buy Direct Approach to Counterpoint in 16th Century Style on FREE SHIPPING on qualified orders Direct Approach to Counterpoint in 16th Century Style: Gustave Frederic Soderlund: : BooksAuthor: Gustave Frederic Soderlund.

Direct approach to counterpoint in 16th century style by Soderlund, Gustave Fredric and a great selection of related books, art and collectibles available now at This volume, Examples of Gregorian Chant and Works by Orlandus Lassus, Giovanni Pierluigi Palestrina and Marc Antonio Ingegneri is now the companion to Direct Approach to Counterpoint in Sixteenth-Century Style.

Get this from a library. Direct approach to counterpoint in 16th century style. [Gustave Fredric Soderlund].

Find Direct Approach to Counterpoint in the 16th Century Style (Eastman School of Music Series) by Soderlund, Gustave Fredric - Open Library is an open, editable library catalog, building towards a web page for every book ever published.

Direct approach to counterpoint in 16th century style by Soderlund, Gustave Fredric; 2 editions; First published in ; Subjects: Counterpoint. Review: Direct Approach to Counterpoint in 16th-Century Style by Gustave Frederic SoderlundAuthor: J.

Kerman. Recipient(s) will receive an email with a link to 'Review: Direct Approach to Counterpoint in 16th-Century Style by Gustave Frederic Soderlund' and will not need an account to access the content. Preliminary Exercises in Counterpoint.

New York: St Martin’s Press, Soderlund, Gustave. Direct Approach to Counterpoint in the 16th Century Style. New York: Appleton-Century-Crofts, Tovey, Donald Francis. A Companion to “The Art of Fugue”. London: Oxford University Press, Tovey, Donald Francis. The Forms of Music.

New. This is a fantastic book, which clearly articulates an approach to Baroque Counterpoint. This is a wonderful study for composers, and this book will walk you through the concepts of Counterpoint which were employed by Bach, Handel and others/5. Additional Physical Format: Online version: Soderlund, Gustave Fredric, Direct approach to counterpoint in 16th century style.

New York, F.S. Crofts, Direct Approach to Counterpoint in Sixteenth Century Style by Gustave F. Soderlund. Prentice Hall PTR, Hardcover. Acceptable. Disclaimer:A readable copy.

All pages are intact, and the cover is intact. Pages can include considerable notes-in pen or highlighter-but the notes cannot obscure the text. The dust jacket is missing. Download PDF: Sorry, we are unable to provide the full text but you may find it at the following location(s): (external link) http Author: Gustave Fredric Soderlund.

Practical work in writing counterpoint. Gauldin emphasizes the acquisition of writing skills in the contrapuntal discipline and the simulation of sixteenth-century sacred polyphonic idioms in this volume. The author follows a didactic method of a “non-species or direct” approach.

MUSIC Dr. Ross 16th Century Counterpoint “Rules” (primarily based on Knud Jeppesen’s Counterpoint) TWO-PART COUNTERPOINT P REAMBLE Knud Jeppesen’s Counterpoint contains a wealth of information on writing vocal polyphony in the Palestrina style,and I understand it was considered the best-researched text on the subject for many years after its publication.

Reviewer: feresdares - favorite favorite favorite favorite favorite - Ma Subject: Counterpoint: the polyphonic vocal style of the sixteenth century ok 6, Views. Excerpt. As suggested by the title, Dr. Jeppesen Counterpoint is a textbook on the polyphonic vocal style of the sixteenth century.

But it is no ordinary textbook, because it maintains an unusually happy balance between theoretical and practical problems, between historical and systematic methodology.

MUSIC 3 Clark Ross S ECOND S PECIES (two half-notes against each C.F. whole-note) Melody: Previous rules are still valid, except (or as well as): 1. No repetitions of notes in this or any remaining species (it’s fine in free counterpoint with text).

The rule concerning consecutive skips in the same direction, or any combination of steps and skips in the sameFile Size: 1MB. I would like to introduce you to the 16th century Palastina style counterpoint. It is a year-old book that has been studied and published based onpages. For more information, see the this link.

Twelve motets by each composer, six from the early works and six from the late works of each, were chosen for contrast and comparison. In his book, Direct Approach to Counterpoint in 16th-Century Style, C.F. Soderlund set forth a conclusive and concise set of rules which he felt particularly characterized the music of : Joanne Dallinger Cheshier.The method has little to do with 16th century style - that this is 16th century polyphony is a diversionary story for undergrads in a class with that of George Washington and the Cherry Tree.

There are two main points against it: (1) Species Counterpoint as a method is not a 16th century technique, but a 17th century technique/5(34).MODAL COUNTERPOINT IN THE STYLE OF THE SIXTEENTH CENTURY - Outline by Ernst Krenek. Boosey and Hawkes, New York,21 pp., $ This volume, about the size and heft of a Boston Symphony Pro-gram-book, opens with a Preface in which we read that its purpose is "to present subject matter in concentrated form for the use of teachers.